Dance to the Music

Here I will regale you with tales of death, destruction, music & jam, but mostly the music. Since I am regularly being ridiculed for my HMV-style room, stand up & salute the maggot-ridden corpse of 'Top of the Pops' as I present: Jon's (very nearly) Definitive Top Five(ish) Albums of All the Years, Ever (as long as they fall between 1988 and now). As the Scissor Sisters would say, "Ta-Dah!"

Saturday

2005

2005Martha Wainright - Martha Wainwright
Arcade Fire - Funeral (2004 US)
Brendan Benson - The Alternative to Love
50 Foot Wave - Golden Ocean
Editors - The Back Room

I first came across Martha Wainwright, based upon her brother Rufus' recommendation in Mojo magazine. Under 'currently
listening', he'd listed an ep called 'Bloody Mother Fucking Asshole' and I was intrigued. Maybe not everyone's cup of tea, but it's far more than the confessional, sub-Alanis Morrisette venting that the title may suggest, in fact it's not just more than that, it isn't that. Sometimes fragile, sometimes powerful, but always compelling, as can be heard on a recent single drowning out Mr. Snow Patrol's weedy voice.

The Arcade Fire's debut may well have been The Bowie's album of the year for 2004, but we don't all have the luxury of living in a country that releases records on time. Having seen this lot live I can only assume they are either very good at acting the part of complete nutters, or are, in fact, actually absolute nutters. Judging by the album I would go for the latter. Let this record confuse your ears with its cornucopia of musical (and non-musical) instruments, producing a cacophony of disparate sounds, but all seeming to coalesce into a unified, but noisy, whole.

Why oh why oh why is
Brendan Benson wasting his time with pub rock band The Raconteurs? He may be having more fun with his mate Jack White, but I'm not hearing it. Rewind a year and you can see what he is truly capable of. A stunning, highly melodic, heavy wow of an album.

I'm running out of steam, fast. I'm going to have to end on a couple of quickies. 50 foot wave is 4AD stalwart Kristin Hersh's new band. With Throwing Muses just reuniting sporadically, every few years, we can rely on The Wave to provide us with the loud, raw & rocking live sound we need as the counterpoint to her acoustic solo albums. The Editors have made the album that Interpol should have made as their second. This is a good thing, we get both.

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